"We'll get the body in the coffin in the ground ON TIME!"
The music was lots of fun to write. I enjoy the challenge of writing music to constraints. With soundtracks each note has to be necessary, focused and precise in what it conveys. No change there, then. But capturing the essence of a place, a mood, a person, for me requires a lot of thought and experimentation. The process reminds me not to hold onto material unnecessarily. Luckily, I've not been precious about material for a long time. What's more, I had helpful support from John, who I had worked with before on award-winning radio drama The New World Order.
John, co-producer Andy Goddard and I discussed at length the peculiarities of Piffling village, nuances of the characters, and the story arc of the series. We agreed that music would be sparse throughout to maintain a naturalistic feel and augment the absurdity of the comedy. I just needed to get the theme right first.
I sent John and Andy six ideas for the main theme, all involving an organ for that funereal feel. Once that was there, I made a number of variations: short cues that could be dotted around the series. I then wrote extended diege
Flute – Natalie Carroll
Violins – Heather Baker, Jessica Conway, John Cummins, Sarah Goulding, Richard Powell, Sophie Simpson
Viola – Bella Clifford
Cellos – Frances Jones, Paul Sild
Piano – Paul Sild, James Whittle
Music composed, conducted and recorded by James Whittle.